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We see the clan all settling back in Castle Wyvern: Goliath, Brooklyn and Hudson are still wary of whether Xanatos has truly changed his colors or not, which brings a nice dose of realism. Unfortunately, his reflections are trite and monotonous: Keith David sounds utterly bored reading them, coming across like Harrison Ford in Blade Runner (and I like the narration in Blade Runner, as tacked on as it is!). It’s ultimately trying too hard to be the ‘90s Spider-Man series intro, with its badly dated music and graphics.Īs for Goliath’s narration, he now starts each episode with a monologue that’s trying to set up the theme of each story (hence the new name of the series). Instead, we get a random montage centered around a CG depiction of Xanatos’s Eyrie, and Carl Johnson’s stirring and poignant theme gets a focus tested remix. Gone is Goliath’s gorgeous and moody opening narration, which rather defeats the purpose of moving the show to Saturday mornings on ABC, as it always reiterated the premise to any newcomers. The new intro for the show was simply ugly and haphazard: In this episode, Goliath’s visit to Elisa’s department is rudely interrupted by a hate group (alas, the more things change, the more they stay the same). This week we begin looking at the revamped and truncated third season, Gargoyles: The Goliath Chronicles, which is largely considered non-canon because of the departure of creator Greg Weisman, save for the first episode, “The Journey” (aired September 7, 1996), which Weisman wrote.
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Welcome back to the Summer TV Binge of Disney’s Gargoyles.
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